“If passion drives you, let reason hold the reins.” –Benjamin Franklin
Recently, there’s been a lot of buzz over the High School Musical 10th Anniversary Reunion. It’s very strange, because although these actors were our age in the present day, it is still as if we’ve grown up with them. I used to love Vanessa Hudgens’ music, but only when her first album came out. I’m excited by the fact that Monique Coleman still follows me on Twitter. I watched Corbin Bleu in a much more serious role on Blue Bloods, which I’ve been binging (although I didn’t realize it was him the first time I saw the episode). I’ve seen Ashley Tisdale on “Young & Hungry”, which she apparently also produces. I’m not as familiar with Zac Efron’s current work and I think it’s because I was too obsessed with him during the HSM era, so my feelings want to even that out by avoiding him altogether. Lucas Grabeel is probably the East High alum I’ve been following most because I watch “Switched at Birth”.
Now that you know how important this movie was to me, and how I’m still a fan of a couple of them, you can sense a bit of my reaction in the story which I’ve made my main point. So this was back in middle school and it was during my transition into high school. There was a children’s summer theatre program, which was separated by age: elementary schoolers in one, and middle schoolers in the other (up to 9th grade, so I was still in the game one last time). I was in this group for the past two summers: Fiddler on the Roof and Guys and Dolls. Both my parts in those shows were very minor. I mean, I was the fourth-born daughter in Fiddler, but she had almost no lines, and in Guys, I was in the ensemble.
The year after that, they announced that they were doing High School Musical. I was so pumped because that was the one show that I knew backwards and forwards. Because I was always watching the movie anyway, I knew I could finally get a major part if I actually put forth effort this time. I recall trying to go for Gabriella since she was the female lead, but Sharpay would’ve been much more fun (and that was basically every young actress’ interpretation of casting for similar shows). In this summer program, there were no auditions. If you had your eye on a certain part, all you had to do was write down the name and, if there was a chance that you were going to be a minor character, also list them in case they didn’t pick you.
It turns out I couldn’t even attend the program any longer. I was bummed, but wanted to be adult about it. You can guess how many times I told myself, “Someone else will do High School Musical again.” Yeah. Not “You can try again next year at a high school theatre program.”
The reasoning for my missing out on HSM was because of money, I think. I just looked up the fee to participate: $430. Okay, I was going to say, “Yeah, money’s a pretty good reason, but, if it’s your passion and you want your talents to grow, then isn’t it worth it?” But our family’s not super rich. Investing $430 into a three-week camp is admittedly a little too much, although I might be saying that because the only income I ever got was $200 a month before college graduation. Now, I’ve still got no personal income (although hopefully that’ll change soon!).
I guess I still don’t completely change my stance though, no matter how much money it actually was. If you can afford to spend money on enriching your passion, it should still count as an investment. I’ve wanted to act all my life, just never really got the guts to audition for school productions because I was constantly afraid of rejection. With that theatre camp, there was no rejection. You pay the fee, it was, “Congratulations! Shine your character shoes because you’re in!”
If I remember correctly, I begged for a few minutes and then decided, “They’re the bosses. High School Musical would’ve been the best year in my short-lived acting career, but I guess it’s just not the right time.” Looking back, I think it’s because my parents never thought that I was so serious about acting. In other words, they figured that theatre was just a phase and I’d grow out of it, so the money probably went to food or the mortgage (stupid important bills that allow us to keep living comfortably, keeping us from what we want to do).
Seriously though, guys. I graduated with a Bachelor of Arts in THEATRE. In order to fulfill those requirements, I had to take tons of acting classes, which eventually developed into my desire to be in a musical during my senior year, which was Carrie the Musical. Initially, I thought my strengths were in writing, so I figured, hey, writing plays might be fun. I never considered acting. Actually, I had, tons of times, but I always refused to look at audition times because I never thought of myself as an actress. Now, I have an account on Backstage.com, which is updated everyday, of audition opportunities and advice on acting, and writing for actors.
Honestly, if I’d just kept going with the acting stuff, I’m sure I would’ve gotten a major role at some point. With the school musical, my role was so minor that I was written in (although I think I was only written in because I was a senior and I had never acted with them before). Often times during rehearsals though, I felt like the outsider, just like in my regular life, so that wasn’t new. It didn’t help that my part was so small even though I knew I was capable of more. In fact, the director probably would’ve known that also, if I’d known the songs, but I wasn’t even planning on auditioning so I didn’t work with anyone on the songs. That’s why I knew zero about the play except what I’d seen in the movie version…s. I actually saw two versions and they were both remakes.
Working on Carrie though, opened my eyes on how so much like high school it was, especially since it was primarily in a high school setting. There were the popular ones just within our cast, who were in every single production, so they were the leads. They were all best friends and they already knew how everything worked. They had their own inside jokes and were even in romantic or, let’s face it, sexual relationships (except it wasn’t like “Grey’s Anatomy”). There were the kids who bonded over their smoke breaks. Then, there were the black kids—I’m not trying to sound racist, they had their own friendship going on, just them. There were even ingénues who were hanging out with the populars because they were trying to mold them, which was literally a conversation. I can’t speak for the others who didn’t quite fit in with any of these cliques either, but I definitely felt like a Carrie throughout most of the second half of working on this show: the outsider who was too shy to defend herself, but knew she was secretly capable of more. There were those kids I really wanted to be friends with, but they didn’t see your desperation as cool, so they weren’t turned on by that.
I’m not complaining about it though. Not because I’m grateful for the experience (which I still am), but there’s nobody to blame except myself. It’s like a domino effect, if you think about it, leading right back to that theatre program. My social life in the theatre world would be a lot more solid right now if I’d just gone to that audition, having a specific character in mind to portray (or at least learning about some of them) and at least going over the soundtrack over and over until I knew the bigger numbers. I didn’t even know which ones were important songs. In fact, I didn’t care about being in Carrie until a theatre classmate told me about it and asked if I wanted to audition. I went in the day of the final audition (which was also the day she told me about it) and didn’t expect to get a callback.
And why was that my attitude? Because I decided to treat college theatre like high school theatre: only the good ones get in. I never auditioned for high school productions either except I got to be one of the keyboardists for Hairspray. I got to be in the orchestra pit! The responsibility was too overwhelming though so I didn’t think they’d expect so much out of me. There was so much drama behind the scenes, but I mishandled the role, so I wasn’t invited back for The Phantom of the Opera the following year and I never blamed them.
And why was THAT my attitude? I was already an emotionally fragile, C-average student that I didn’t think I could handle not getting a callback. That’s why I didn’t think theatre my scene (hehe, get it?), no matter how much I loved show tunes. (I do recall auditioning for a community production of Les Misérables right after the Tom Hooper film was released. It was in the middle of my college career. I knew all of the people I was auditioning for and there were hundreds of auditionees. Auditioners? Audits? Problem was…the casting directors also worked with me on Hairspray. So there’s a chance that their experience with my unprofessionalism carried over after three or four years. I’m pretty sure it was my own LACK of theatre experience though.)
Anyways, so why was this my attitude about theatre in high school? I feel like it’s all connected—stemming from my lack of urgency to fight for what I wanted to do. Yes, it was $430 and we couldn’t really afford that, but wasn’t it possible to somehow make it work if it was going towards something I loved doing and hoped to do more of? I understand that I sound very selfish and unreasonable right now, but what if my theatre self was going to be a completely different person? Not just experientially, but socially? My social life was something I’ve constantly been struggling with. I could’ve (somehow) been one of the populars and performed right by their side throughout almost the entire show. (And if I wasn’t so outgoing in real life, I could just act like it.)
One last digression: Nick Robinson, who played the older brother from Jurassic World (yes, I still love him), started his acting career by being in plays and he was in his own local children’s theatre program called Broadway Bound. This was when he was 9 or 10. Then, he started getting noticed by friends of agents who referred him. He booked the agent and went out to LA auditions, which is when he landed a main role in “Melissa & Joey”. What if his parents had tried to make him quit Broadway Bound though? I’m sure his parents also tried to talk him out of the program because of money or some other issue, but he didn’t back down because he loved to act. His passion for the craft outweighed whatever “excuses” they had and circumstances have allowed him to be where he is today. In fact, today (as in, this very day), he made an appearance in the Paris premiere of The 5th Wave. He wouldn’t be able to make that premiere if he hadn’t stood his ground and said, “I don’t want to stop doing this because this is my passion. I want to do this for real.”
Purpose: Part of being able to stack your professional résumé in your career choice is the urgency to keep doing it. If you were very lucky to have found your passion so young, you got it figured out. You know this is what you want and you’re going for it. At the same time, that also means your parents are the ones who are paying for it. That makes it their decision to keep you from going. As long as they’re paying, that means that they’re the ones calling the shots. It is YOUR life though. If they say that they can’t financially support you on this, but they say that it’s still slightly possible, then fight them on it. If it’s your passion, your dream, tell them that it’s still an investment in your future. Whether you want to act, dance, or even ice-skate, for that matter, even if this passion of yours has a reputation for being a heartbreaker and that’s why your parents want you to stop, don’t let them. If you want to do this for the rest of your life, you need to build up your experience to become a more credible figure in that field, and you can’t do that if you stop in the middle of the journey.
I suppose that’s my biggest regret: not being strong enough to voice my opinion on being in High School Musical. I still love to act, but I don’t have enough confidence to get out there. I had to rely on senior pity: “This is your last year so if you want to be in this show, you be in it!” If I’d been in HSM, I could’ve gotten Carrie last year. Or Sue Snell or—no, not Chris Hargensen. Either way, I wouldn’t be where I am now: looking for jobs not even close to the theatre range, and struggling to find out how professional acting even works. All I can think of is constant community theatre or look for an agent myself if they won’t go to your performances. Think of me as a cautionary tale, folks. I’m not acting, which doesn’t make me completely happy, and I’m giving the HSM event 75% of the blame. If you have the chance, take it.
Sarah W.
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